rating: 3.67
Sigma Lens 28mm F1.8 EX DG ASPHERICAL MACRO

The Sigma Lens 28mm F1.8 EX DG ASPHERICAL MACRO incorporates a Dual-Focus (DF) mechanism. It is easy to hold the lens, since the focusing ring does not rotate during auto-focus, yet it provides adequate focusing torque of the focusing ring during manual focusing of the lens.
Sigma Lens 28mm F1.8 EX DG ASPHERICAL MACRO Overview
800mm ultra telephoto lens optimized for digital SLR cameras
New multi-layer lens coating and lens design reduce flare and ghosting. Extraordinary Low Dispersion (ELD) glass elements produce excellent image quality and ensure sharp, quality images for film and digital SLR cameras. It enables to see the far subjects in more detail than is possible with the naked eye.
Reduction of flare and ghosting
This digitally optimized ultra telephoto lens is equipped with a new multi-layer coating technology that reduces both flare and ghosting. This also ensures an accurate color balance and high definition results.|
ELD Glass elements ensure high quality images
Incorporating two Extraordinary Low Dispersion glass elements to reduce chromatic aberration to a minimum and ensure sharp, quality images.
HSM (Hyper Sonic Motor for Sigma, Canon and Nikon mount lenses)
The HSM models (Sigma, Nikon and Canon mounts) provide high-speed, ultra-quiet AF function as well as full- time manual focus override.
It features a drop-in filter
This new lens also supplied with a 46mm gelatin filter holder at the rear, allowing the use of gelatin filters.
Inner focusing
Inner focusing retains external dimensions for ease of handling.
Optional Sigma tele-converter
By adding Sigma?s dedicated APO EX Tele Converter 1.4x and 2x, you can use this lens as a 1120mm F8 MF, or a 1600mm F11 MF lens respectively.
Sigma Lens 28mm F1.8 EX DG ASPHERICAL MACRO Specifications
* Lens Construction 10 Elements in 9 Groups
* Angle of View 75.4 degrees
* Number of Diaphragm Blades 9 Blades
* Minimum Aperture F22
* Minimum Focusing Distance 20cm/7.9 in.
* Maximum Magnification 1:2.9
* Filter Size Diameter 77mm
* Dimensions Diameter 83.6mm X Length 82.5mm 3.3 in. X 3.2 in.
* Weight 500g/17.6 oz.
800mm ultra telephoto lens optimized for digital SLR cameras
New multi-layer lens coating and lens design reduce flare and ghosting. Extraordinary Low Dispersion (ELD) glass elements produce excellent image quality and ensure sharp, quality images for film and digital SLR cameras. It enables to see the far subjects in more detail than is possible with the naked eye.
Reduction of flare and ghosting
This digitally optimized ultra telephoto lens is equipped with a new multi-layer coating technology that reduces both flare and ghosting. This also ensures an accurate color balance and high definition results.|
ELD Glass elements ensure high quality images
Incorporating two Extraordinary Low Dispersion glass elements to reduce chromatic aberration to a minimum and ensure sharp, quality images.
HSM (Hyper Sonic Motor for Sigma, Canon and Nikon mount lenses)
The HSM models (Sigma, Nikon and Canon mounts) provide high-speed, ultra-quiet AF function as well as full- time manual focus override.
It features a drop-in filter
This new lens also supplied with a 46mm gelatin filter holder at the rear, allowing the use of gelatin filters.
Inner focusing
Inner focusing retains external dimensions for ease of handling.
Optional Sigma tele-converter
By adding Sigma?s dedicated APO EX Tele Converter 1.4x and 2x, you can use this lens as a 1120mm F8 MF, or a 1600mm F11 MF lens respectively.
Sigma Lens 28mm F1.8 EX DG ASPHERICAL MACRO Specifications
* Lens Construction 10 Elements in 9 Groups
* Angle of View 75.4 degrees
* Number of Diaphragm Blades 9 Blades
* Minimum Aperture F22
* Minimum Focusing Distance 20cm/7.9 in.
* Maximum Magnification 1:2.9
* Filter Size Diameter 77mm
* Dimensions Diameter 83.6mm X Length 82.5mm 3.3 in. X 3.2 in.
* Weight 500g/17.6 oz.
Sigma Lens 28mm F1.8 EX DG ASPHERICAL MACRO user reviews
""Great lens for the money. Use it indoors with my 50mm (F1.4), mainly at F2 to F2.8 w/ no flash. Pictures are just surprising. Shooting moving subjects at F1.8 indoors will result in blurry / not focused results as expected with the very thin DOF. F1.8 will require some PP to improve sharpness but results are useable.""
--- EC rated: 4
"Let me start by saying I'm not a hardcore fan of any particular brand. I like to gauge lenses by their individual merits, rather than discussing them as a brand.
The Sigma 28mm f/1.8 EX is an excellent lens from an optical standpoint. On digital and film SLRs from Nikon, I was always quite impressed with the optical quality. Even wide-open at f/1.8, it is roughly as good as the Nikkor 50mm f/1.8, which is somewhat low in contrast, but still resolves quite a bit of detail on the focal plane. Stopping down a stop or two, like with most lenses, really brings out the contrast and sharpness, and this lens delivered quite wonderfully, matching the famous 28/2.8 AIS Nikkor for sharpness both up-close and at infinity. Further, this lens allows closer focusing than the Nikkor, and possesses less apparent geometric distortion. As much as I love the AIS28, the Sigma is quite brilliant too.
While very good at infinity, the lens shines for moderate closeups of objects like flowers. Although it says "macro" in the name, it only approaches 1:2.9 magnification, and the distance from the front element is quite small, so live insect photography will likely not be its forte. At this range, the lens also has a much smoother out-of-focus rendering wide-open than much of its competition (such as the 28/2 AIS Nikkor). If you like smooth boke (not everyone does, but many do), this can be a good lens for that effect.
The biggest downsides are the size and the autofocus. Although it is high quality, the lens was simply too big for my taste. Compared to my 28/2.8 AIS, the Sigma is simply massive. In fact, it is about the same size as a 28/1.4 Nikkor, and uses larger (77mm) filters! This is a concern for people who like using filters like polarizers, which get much more expensive at large sizes. The second major issue is that the autofocus mechanism has proven unreliable, particularly on Canon versions of the lens. My Nikon experienced some focus inconsistency at midrange distances (better consistency up close). As I tend to manually focus, this was not too much of a problem, but for those who do depend on it heavily...this lens might cause frustration. Bear in mind, this is not the case for EVERY lens of this make; it is likely an issue with sample variation which has been pointed out for some time. Some people have great luck, some are not so lucky.
As I prefer to manually focus and personally prefer smaller lenses, I opted instead for my AIS Nikkor, which has roughly equal optical quality in a much smaller package with inexpensive 52mm filters. However, I do miss my 28/1.8 Sigma and, were it a smaller, manual focus lens, I would likely be using it today.
If you can get over the gargantuan size and if you can circumnavigate the sample-variation-related AF quirks, this lens is quite beautiful. I must give the designers kudos, even if it's not the perfect lens for me personally."
The Sigma 28mm f/1.8 EX is an excellent lens from an optical standpoint. On digital and film SLRs from Nikon, I was always quite impressed with the optical quality. Even wide-open at f/1.8, it is roughly as good as the Nikkor 50mm f/1.8, which is somewhat low in contrast, but still resolves quite a bit of detail on the focal plane. Stopping down a stop or two, like with most lenses, really brings out the contrast and sharpness, and this lens delivered quite wonderfully, matching the famous 28/2.8 AIS Nikkor for sharpness both up-close and at infinity. Further, this lens allows closer focusing than the Nikkor, and possesses less apparent geometric distortion. As much as I love the AIS28, the Sigma is quite brilliant too.
While very good at infinity, the lens shines for moderate closeups of objects like flowers. Although it says "macro" in the name, it only approaches 1:2.9 magnification, and the distance from the front element is quite small, so live insect photography will likely not be its forte. At this range, the lens also has a much smoother out-of-focus rendering wide-open than much of its competition (such as the 28/2 AIS Nikkor). If you like smooth boke (not everyone does, but many do), this can be a good lens for that effect.
The biggest downsides are the size and the autofocus. Although it is high quality, the lens was simply too big for my taste. Compared to my 28/2.8 AIS, the Sigma is simply massive. In fact, it is about the same size as a 28/1.4 Nikkor, and uses larger (77mm) filters! This is a concern for people who like using filters like polarizers, which get much more expensive at large sizes. The second major issue is that the autofocus mechanism has proven unreliable, particularly on Canon versions of the lens. My Nikon experienced some focus inconsistency at midrange distances (better consistency up close). As I tend to manually focus, this was not too much of a problem, but for those who do depend on it heavily...this lens might cause frustration. Bear in mind, this is not the case for EVERY lens of this make; it is likely an issue with sample variation which has been pointed out for some time. Some people have great luck, some are not so lucky.
As I prefer to manually focus and personally prefer smaller lenses, I opted instead for my AIS Nikkor, which has roughly equal optical quality in a much smaller package with inexpensive 52mm filters. However, I do miss my 28/1.8 Sigma and, were it a smaller, manual focus lens, I would likely be using it today.
If you can get over the gargantuan size and if you can circumnavigate the sample-variation-related AF quirks, this lens is quite beautiful. I must give the designers kudos, even if it's not the perfect lens for me personally."
--- R. Marotz rated: 4
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